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Radio Ratings Roundup, February 2026, Part II

March 24, 2026

So here we are reviewing the shortest month of the year. The symmetry between the real-world calendar and the way NIELSEN rates us all is striking. Both the month and the book have 28 days (mind blown). You would think that once, just once, the stars would collide and we would achieve a level of ratings oneness.

Perhaps another time.

The Ratings Experts from RESEARCH DIRECTOR, INC.—running cheek by jowl with the numbers nerds from XTRENDS—are here to break down the aforementioned month for a second time. This book, as they call it, ran from FEBRUARY 5th through MARCH 9th. It featured a three-day weekend and a ton of frigid weather. There was also a big football game a few may have watched. Here’s the scoop:

SAN FRANCISCO: Back To Normal            

Now that Santa is but a distant memory, the ratings chart has reverted to its usual status. KQED INC N/T KQED was #1 6+ again (9.8-9.9), while AUDACY News KCBS-A was in its customary #2 position (8.3-8.8). There was a rather large bay between those two stations and the rest of the field. BONNEVILLE AC KOIT stepped up to #3 (4.7-5.0), while iHEARTMEDIA AC KIOI (STAR 101.3) rose two places to #4 with its best book in over a year (3.7-4.7). BONNEVILLE Hot AC KMVQ (99.7 NOW) remained at #5 (4.6-4.6), while USC Classical KDFC (CLASSICAL CALIFORNIA) dropped three spots to #6 with its smallest share since JUNE (4.9-4.3). KOIT continued as the cume commander with a 3.1% increase (985,900-1,016,200). The market was down 0.5%.

KQED remained #1 25-54 with a small increase, while KMVQ was back at #2 with a slight decrease. Those two were separated by about a share. KIOI jumped from #6 to #3 with its third up book in a row. KOIT repeated at #4, while iHEARTMEDIA Pop CHR KYLD (WiLD 94.9) held steady at #5. Both stations had solid share increases. AUDACY Alternative KITS (LIVE 105) slid from #3 to #6. Keep an eye on TELEVISAUNIVISION Spanish Adult Hits KBRG (AMOR 100.3), which leapt from #11 to #7. The station has more than doubled its share over the last two surveys.

KMVQ was the repeat 18-34 winner with a slight decrease. KOIT remained at #2 but with a down book, while iHEARTMEDIA Rhythmic CHR KMEL was steady at #3 with a solid increase. KIOI and KBRG continued to occupy the #4 position as each station had a good book. They were joined in that space by SBS Mexican Regional KRZZ (LA RAZA 93.3), which advanced from #11 as it rebounded from a down book.

KQED remained #1 18-49 with a slight increase. KIOI jumped from #6 to #2 with its best outing in over a year and was less than a half share off the lead. KOIT stepped up to #3 with a small increase, while a flat KMVQ dipped to #4. KYLD was back at #5 as it stopped a three-book slide. KITS fell from #2 to #6 and was paired with KBRG, which arrived from #10.

ATLANTA: Do You Believe In Majic?

URBAN ONE Urban AC WAMJ (MAJIC 107.5/97.5) jumped from #4 to #1 6+ with its highest mark since APRIL (6.2-7.2). COX MEDIA Classic Hits WSRV (97.1 THE RIVER) moved up to #2 with its best showing since AUGUST (6.4-6.8). Thus ended the six-book winning string for COX MEDIA N/T WSB-A. The station slid to #3 with its smallest share in over a year (7.8-6.6). AUDACY Urban AC WVEE (V-103) repeated at #4 (6.2-6.0), while COX MEDIA AC WSB-F (B98.5) inched up to #5 (5.8-5.9). COX MEDIA Urban AC WALR (KISS 104.1) dropped from #2 to #6 with its lowest score since MARCH (6.7-5.7). WSB-F padded its cume lead with a large 13.1% increase (673,700-762,100). The market grew by 2.6%.

WVEE was back at #1 25-54. However, the station landed its lowest share since SEPTEMBER, which opened the door for WAMJ, which moved up from #4 to forge a tie for the lead. WSB-F was back at #3 with a slight increase, while AUDACY Sports WZGC (92.9 THE GAME) slipped to #4 as it returned all of last month’s modest increase. WSRV stepped up to #5 with a small increase, while WALR dipped to #6

WSRV assumed control of the 18-34 space thanks to its best book in over a year. WSB-F stepped down to #2 as it gave back some of last month’s huge increase. WSB-F went from leading the demo by over two shares to trailing by about a half share. iHEARTMEDIA Urban Contemporary WRDG (96.1 THE BEAT) remained at #3, while WVEE was back at #4. Both stations had solid increases. WZGC rose two places to #5 with its highest score in over a year. WALR and AUDACY Rhythmic AC WSTR (STAR 94) were last spotted at #5. Both stations experienced a down book as they drifted to #6 and #7, respectively.

WVEE was #1 18-49 for the third book in a row. A flat WSB-F was back at #2, while WAMJ moved up two slots to #3 with its third straight up book. WSRV dipped to #4 with a slight decrease, while WRDG stepped down to #5 with a slight increase.

 WASHINGTON, DC: I Heard The News Today…

…and it had something to do with the partial government shutdown which happened in the middle of this book. That was good news for HUBBARD News WTOP, which was #1 6+ for the ninth book in a row and posted its largest share in over a year (13.5-15.2). AMERICAN UNIVERSITY N/T WAMU repeated at #2 with its best book since JUNE (11.0-11.8). HOWARD UNIVERSITY Urban AC WHUR was again the leading music station at #3 (6.6-7.0), while iHEARTMEDIA Alternative WWDC (DC101) remained at #4 (5.4-5.4). iHEARTMEDIA AC WASH stepped up to #5 despite landing its lowest number since SEPTEMBER (4.9-4.6). ATLANTIC GATEWAY Contemporary Christian WGTS slipped to #6 (5.4-4.3). WTOP was back as the cume leader with an 8.4% increase (851,200-922,600). The market was off 0.6%.

WAMU and WTOP were back at #1 and #2, respectively, 25-54. Both stations also achieved double-digit status. I think that means they get a free donut. WWDC repeated at #3 but with a noticeable share loss. WASH was up to #4, while WHUR inched up to #5. Both stations had slight decreases. WGTS slipped two slots to #6 as it ended a strong two-book surge.

WTOP vaulted from #4 to #1 18-34. The station was in double figures and came close to doubling its previous share. iHEARTMEDIA Country WMZQ was forced to step down to #2 as it was unable to duplicate last month’s double-digit performance. WHUR remained at #3 with its highest score in over a year. iHEARTMEDIA Classic Rock WBIG (BIG 100) advanced two spaces to #4 with a small increase, while WASH was back at #5 with a small decrease. iHEARTMEDIA Pop CHR WIHT (HOT 99.5) slid from #2 to #6 as it surrendered a healthy portion of last month’s massive increase.

WTOP and WAMU were back at #1 and #2, respectively, 18-49 as they both surpassed the double-digit threshold. WHUR advanced from #7 to #3 with, again, its highest mark in over a year. A flat WASH was back at #4, while WWDC slipped to #5 with its smallest share since SEPTEMBER. WGTS and WMZQ were previously aligned at #4. Both stations had a down book as they dropped to #6 and #7, respectively.

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 PHILADELPHIA: They Call It Rock

Two flavors of music that rocks rose up in defiance of the man to become co-leaders of the 6+ cohort. BEASLEY Active Rock WMMR stepped up from #2 (7.1-7.1), while its older cluster bro, BEASLEY Classic Rock WMGK, advanced from #3 (6.6-7.1). AUDACY AC WBEB (B101) jumped three spaces to #3 with its highest Frosty-free share in over a year (5.4-6.5). With the EAGLES no longer in flight, AUDACY Sports WIP (94WIP SPORTSRADIO) went from first to third (8.5-6.5). AUDACY News KYW slipped to #5 (6.6-6.3), while iHEARTMEDIA Urban AC WDAS dipped to #6 (5.7-6.1). WBEB increased its #1 cume total by 7.0% (1,028,800-1,101,300). The market was down 0.8%.

WMMR was back as a dominant #1 25-54 for the second straight survey. WBEB inched up to #2 with a solid increase but still trailed the leader by better than two shares. WDAS rose two spots to #3, while EMF Contemporary Christian WKVP (POSITIVE, ENCOURAGING 106.9 K-LOVE) took two steps upward to #4. Both stations had solid increases. WIP slid from #2 to #5, while WHYY INC N/T WHYY slipped to #6. It was paired with BEASLEY Classic Rock WMGK, which advanced from #9.

WMMR was unable to match last month’s double-digit outcome but had enough left in the tank to repeat at #1 18-34. BEASLEY Country WXTU (92.5 XTU) remained #2 and was about a share off the pace. WBEB remained at #3 with a strong share increase. iHEARTMEDIA Urban Contemporary WUSL (POWER 99) was up to #4 with its best outing in over a year. WMGK dipped to #5 and was tied with BEASLEY Adult Hits WBEN (95.7 BEN FM), which advanced from #9. WIP dropped from #5 into an arrangement at #11 with WHYY and URBAN ONE Urban AV WRNB (100.3 RnB).

WMMR was both #1 and in double figures 18-49 for the second book in a row. WBEB moved up two places to #2 with its best Frosty-free share since AUGUST. WMGK rose from #6 to #3, while WDAS stepped up to #4. Both stations had what would be considered to be a “nice” book. WIP slid from #2 to #5, while WXTU dropped from #3 to #6.

 BOSTON: Oh, Oh, Oh, It’s…

…not Ozempic. It’s AUDACY AC WMJX (MAGIC 106.7), which stepped up to #1 6+ (6.2-6.2). BEASLEY Adult Hits WROR inched up to #2 (5.5-5.7), while BEASLEY Sports WBZ-F (98.5 THE SPORTS HUB) went from first to third with its smallest share since SEPTEMBER (7.6-5.3). It was paired with AUDACY Hot AC WBMX (MIX 104.1), which advanced from #7 with its highest score since JULY (4.5-5.3). BOSTON UNIVERSITY N/T WBUR moved from #7 to #5 with its best showing in exactly a year (4.5-5.2). iHEARTMEDIA Pop CHR WXKS (KISS 108) slipped to #6 (5.1-4.9), while iHEARTMEDIA N/T WBZ-A drifted down to #7 (5.0-4.3). It was tied with iHEARTMEDIA Classic Rock WZLX, which moved up from #10 (3.8-4.3). WMJX added 6.1% to its best-in-class cume total (779,800-827,000). The market was up 0.2%.

WBMX stepped up to #1 25-54 with its best book since JUNE. WBZ-F was unable to replicate last month’s double-digit share as it dipped to #2. WXKS was down to #3 as it returned all of last month’s share increase. WMJX repeated at #4 with a slight decrease, while WZLX remained at #5 as it rebounded from a down book. It was not alone as WROR moved up from #6 to forge the tie.

For the fourth book in a row—and sixth time in the last seven surveys—WMJX was #1 18-34. Vaulting from #8 to #2 was iHEARTMEDIA Rhythmic CHR WJMN (JAM’N 94.5). The station was also #2 two books ago before hitting a rough patch. WBMX remained at #3 with a slight increase, while four stations were massed together at #4. WXKS held steady but with its smallest share since NOVEMBER. BEASLEY Rhythmic AC WBQT (HOT 96.9) stepped up from #5 with a slight increase. WROR rose from #8, while WBUR advanced from #12. BEASLEY Country WKLB (COUNTRY 102.5) fell from #2 to #8 as it surrendered all of last month’s huge increase. It was met there by AUDACY Sports WEEI, which was last seen at #15. WBZ-F offense was held in check (ouch) as it dropped from #5 to #11. It was partnered with AUDACY Adult Hits WBGB (BIG 103) and WGBH EDUCATIONAL FOUNDATION N/T WGBH.

WMBX rode its third straight up book to first place in the 18-49 space. WXKS stepped up to #2 and WMJX was up to #3. Both stations had down books. WROR advanced to #4 with a strong increase, while WBZ-F fell from first to fifth. WJMN leapt from #12 to #6, while WKLB fell from #5 to #11.

Thanks for taking time to read this here missive. Enjoy the halftime festivities as we prep the next batch of markets.  On tap are MIAMI, SEATTLE, PHOENIX, DETROIT, and MINNEAPOLIS. Don’t forget to subscribe to our blog at www.ResearchDirectorInc.com/Hot-Topics.   And remember, sharing is caring— spread the word far and wide.

-Steve Allan, Programming Research Consultant

About XTrends: XTrends is radio’s favorite Nielsen ratings analysis tool, used by all major groups. Learn why here.

About Research Director, Inc.: Research Director, Inc. is based in Annapolis, Maryland. We help radio stations’ programming and sales departments maximize the value of their research. For more information, visit www.ResearchDirectorInc.com, call 410-295-6619, or email info@ResearchDirectorInc.com or sallan@ResearchDirectorInc.com.

 

 

Radio Ratings Roundup, February 2026, Part I

March 23, 2026

The Ratings Experts from RESEARCH DIRECTOR, INC.—in cahoots with our cohorts from XTRENDS—are back with another thrilling installment of ratings summaries. We are spanning the country to bring you the constant variety of ratings performances. Experience the thrill of ratings victories and the agony of ratings defeats. It’s the human (or AI generated) drama of ratings competition. This is the FEBRUARY survey. A period that lasted from FEBRUARY 5th through MARCH 4th. It featured one three-day holiday weekend and a ton of winter weather. Here’s how it unfolded…

NEW YORK: Another WINS

For the second book in a row, AUDACY News WINS (1010 WINS) was #1 6+. The station also posted its largest share in over a year (7.5-7.8). iHEARTMEDIA AC WLTW (106.7 LITE FM) was back as a close #2 (7.0-7.4). AUDACY Classic Hits WCBS stepped up to #3 (5.3-5.3), while three stations were massed together at #4. SBS Spanish Tropical WSKQ (MEGA 97.9) dipped from #3 (5.4-5.0). The station did garner a 1.1 share from its stream. NEW YORK PUBLIC RADIO N/T WNYC and iHEARTMEDIA Pop CHR WHTZ (Z100) moved up from a tie at #5 with identical 5.1-5.0 shares. WLTW padded its cume lead with a 7.5% increase (3,387,600-3,642,300). The market was off by 0.2%.

Despite a slight decrease WLTW moved back up to #1 25-54. WSKQ slipped to #2 as it lost a noticeable chunk of share. The station’s stream placed at #17. WHTZ was up to #3 with a small share gain, while iHEARTMEDIA Urban Contemporary WWPR (POWER 105.1) stepped down to #4 with a small share loss. MEDIACO Rhythmic CHR WQHT (HOT 97FM) was back at #5 with its best showing since NOVEMBER. WCBS was a tick behind at #6.

WLTW was #1 18-34 for the fifth consecutive survey with its best Frosty-free share since JULY. WHTZ rebounded from a down book to advance two places to #2. WQHT dipped to #3 and was just ahead of WCBS, which was up to #4 with its third up book in a row. WWPR slipped to #5 with a slight decrease. Showing the volatility of stream numbers, the WSKQ STREAM dropped from a tie at #5 to #12.

A flat WLTW stepped up to #1 18-49. It held a very slight advantage over WHTZ, which moved up two slots to #2 as it again recovered from a down book. WWPR repeated at #3 but with a small share loss. WSKQ slid from first to fourth, while its stream dropped from #13 to #18. WQHT remained at #5 with a slight decrease.

LOS ANGELES: Same As It Ever Was

There was very little change atop the 6+ chart this month. iHEARTMEDIA AC KOST was #1 for the fourth book in a row (6.3-6.2). AUDACY Classic Hits KRTH (K-EARTH 101FM) was back at #2 (5.7-5.8), while iHEARTMEDIA Hot AC KBIG (104.3 MYFM) repeated at #3 (5.3-5.3). AUDACY Adult Hits KCBS (93.1 JACK FM) held steady at #4 (4.4-4.5). It was joined there by AUDACY News KNX, which stepped up from #5 with its highest mark since JULY (4.3-4.5). SBS Mexican Regional KLAX (LA RAZA 97.9) remained at #6 (4.2-4.2). KOST was still in cume control despite a 5.8% decline (2,354,800-2,218,400). The market was down 1.2%.

Last month KRTH and AUDACY Alternative KROQ were tied for second 25-54. This month KRTH moved into first place with its best book since NOVEMBER, while KROQ was left behind at #2 even though it landed its largest share in over a year. KBIG went from first to third with a slight decrease, while two stations moved up and into a tie at #4. A flat KCBS stepped up from #5, while KOST arrived from #6 with a small increase. iHEARTMEDIA Alternative KYSR (ALT 98.7) slid to #6 with a modest share loss.

KOST was #1 18-34 for the fourth straight survey with a small share loss. KROQ vaulted from #7 to #2 as it rebounded from a down book. It was still about a share and a half off the lead. KRTH rose two places to #3 with a small share gain. KYSR repeated at #4 despite a down book. TELEVISIAUNIVISION Mexican Regional KSCA (LA NUEVA 101.9) and iHEARTMEDIA Pop CHR KIIS (102.7 KISS FM) were last spied at #2. Each station took the same share hit as they fell in tandem to #5. AUDACY Urban AC KTWV (94.7 THE WAVE) slid three places to #8 with its lowest score since APRIL.

There was quite the commotion in the 18-49 ranks as three—count ‘em—three stations rose up to claim its share of the lead. KOST stepped up from #2 with a small increase. KRTH rose from #4 with its best outing since NOVEMBER. KROQ advanced from #5 with its best book in over a year. A flat KBIG slid from first to fourth, but it was as close to the leading trio as was mathematically possible. A flat KCBS stood alone at #5, while KSCA slid from #3 to #6 as it halted a three-book surge.

CHICAGO: It’s News To Us

For the second book in a row AUDACY News WBBM-A was the leading 6+ station (5.9-5.9). AUDACY AAA WXRT (93XRT) inched up to #2 with its best showing in over a year (5.4-5.6). HUBBARD Hot AC WTMX (101.9 THE MIX) dipped to #3 (5.5-5.4), while iHEARTMEDIA AC WLIT (93.9 LITE FM) remained at #4 (5.2-5.0). As you can see, the 6+ leaderboard is tight with four stations within a share of the top spot. AUDACY Country WUSN (US99) was up two slots to #5 with its best book since NOVEMBER (4.0-4.8). NEXTSTAR N/T WGN-A (RADIO 720) fell from #5 to #9 with its smallest share since OCTOBER (4.8-3.7). It was paired with WBEZ ALLIANCE N/T WBEZ (3.8-3.7). WLIT increased its #1 cume total by 4.0% (1,200,200-1,247,700). The market was up by 2.4%.

Despite a small share loss WTMX was a dominant #1 25-54 for the second book in a row. iHEARTMEDIA Pop CHR WKSC (103.5 KISS FM) repeated as a distant #2 with a slight increase. WLIT was close behind at #3 and was partnered with WXRT, which moved up a slot with, once again, its best book in over a year. AUDACY Pop CHR WBBM-F (B96) accomplished the same feat as it rose from #8 to #5.

WKSC was #1 18-34 for the second book in a row with its best book in over a year. WUSN was up two places to #2, while WBBM-F rose from #7 to #3. Both stations landed their largest shares in over a year. Also coming in at #3 was WLIT, which dipped from #2 with a slight increase. iHEARTMEDIA Urban Contemporary WGCI worked it from #9 to #5 with its best outing since OCTOBER. WTMX slipped from #3 to #6 with a slight increase, while CONNOISSEUR Active Rock WIIL (96 WIIL ROCK) fell from #4 to #9 as it returned a good portion of last month’s huge increase.

WTMX repeated at #1 18-49 with a small decrease, while WKSC was back at #2 with a small increase. WUSN advanced from #6 to #3, while WBBM-F rose from #7 to #4. Once again, each station landed its largest share in over a year. WXRT dipped to #5 though it, too, posted its best number in over a year. WLIT slid from #3 to #7 with a slight decrease, while WBEZ dropped from #4 to #9.

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DALLAS-FT. WORTH: Mix Master

For the second book in a row iHEARTMEDIA Hot AC KDMX (MIX 102.9) was #1 6+ (4.5-5.2). EMF Contemporary Christian KLTY (K-LOVE) advanced from #7 to #3 with its highest mark in over a year (3.6-4.4). iHEARTMEDIA Pop CHR KHKS (106.1 KISS FM) was back at #3 (4.2-4.4), while iHEARTMEDIA AC KDGE (STAR 102.1) slipped to #4 (4.4-4.2). AUDACY Adult Hits KJKK (100.3 JACK FM) remained at #5 (3.8-3.8). AUDACY Alternative KVIL (ALT 103.7) slid four places to #8 (3.9-3.5). It was tied with SERVICE Urban Contemporary KKDA (K104), which had its first up book since OCTOBER (2.9-3.5). KDGE was still the cume commander with a 5.8% increase (1,165,500-1,233,100). The market grew by 3.7%.

Despite a small share loss TELEVISAUNIVISION Mexican Regional KLNO (QUÉ BUENA 94.1) was still #1 25-54. KDMX was back at #2 as it bounced back from a down book. The stations were separated by about a half share. KJKK vaulted from #7 to #3 with its best performance in over a year. KHKS repeated at #4 with a slight increase, while KDGE slipped from #3 to #5 with a slight decrease.

KDMX landed its largest 18-34 share in over a year as it leapt from #3 to #1. KKDA rose to #2, also with its best outing in over a year. Yet it was about a share behind the leader. KLNO went from first to third as it returned almost all of last month’s huge share increase. KHKS was up three places to #4 as it bounced back from a down book. EMK Contemporary Christian KYDA (AIR 1) jumped from #10 to #5 with its highest score since AUGUST. KDGE dipped to #6, while KJKK dropped to #7. It was tied with KVIL, which fell from #2 with a rather large share loss.

KDMX stepped up to #1 18-49 with its best outing since SEPTEMBER. This forced KLNO to move down to #2 as it had a modest share loss. KKDA advanced from #7 to #3 with its highest share in over a year. KDGE stood alone at #4 with a solid increase. KHKS dipped to #5 with a small increase, while KVIL dropped from #3 to #6.

HOUSTON-GALVESTON: It’s Always Sunny

For the seventh straight survey iHEARTMEDIA AC KODA (SUNNY 99.1) was #1 6+ (9.7-9.0). URBAN ONE Urban AC KMJQ (MAJIC 102.1) was back at #2 but with its fourth down book in a row (6.9-6.7). The month leading up to rodeo was a boon for URBAN ONE Country KKBQ (93Q) as it repeated at #3 but with its highest mark in over a year (5.8-6.6). HOPE MEDIA Contemporary Christian KSBJ was back at #4 with its best book since AUGUST (5.3-6.0). AUDACY Hot AC KHMX (MIX 96.5) rounded out the top five once again (5.1-5.1). KODA was still the cume leader despite a 2.0% drop (1,928,000-1,890,100). The market was up 3.4%.

Boosted by a slight increase iHEARTMEDIA Alternative KTBZ (94.5 THE BUZZ) stepped up to #1 25-54 for the first time since MARCH. It narrowly defeated KODA, which dipped to #2. This was the first time in over a year that KODA was not #1 in this demo. KSBJ stepped up to #3 with its fourth up book in a row. It was partnered with KKBQ, which advanced from #6 with its highest mark in exactly a year. KHMX slipped to #5 as it ended a strong four-book surge. SBS Mexican Regional KROI (LA LEY 92.1) advanced three spaces to #6 as it bounced back from a down book. KMJQ slid from #4 to #7 with its smallest share since APRIL.

Last month KTBZ and KHMX were the 18-34 co-leaders. That partnership was dissolved as KTBZ remained in first place as it crashed through the double-digit barrier. KHMX dipped to #2 with its first down book since OCTOBER. KODA remained at #3 but with its smallest share since SEPTEMBER. AUDACY Adult Hits KKHH (95.7 THE SPOT) rose five places to #4 with its best showing in over a year. URBAN ONE Rhythmic CHR KBXX (97.9 THE BOXX) dipped to #5, while KMJQ stepped down to #6.

A flat KTBZ moved up to #1 18-49. This ended KODA’s four-book winning string as it dipped to #2. KKBQ inched up to #3 with its best book since NOVEMBER, while KHMX stepped down to #4 as it returned all of last month’s huge increase, plus a tad more. KSBJ was up to #5 with a solid increase, while KBXX was down a spot to #6. It was joined there by KKHH, which vaulted from #12.

Our long trek into the ratings multiverse has just begun. Grab some snacks as we prepare for round two. That will feature SAN FRANCISCO, ATLANTA, WASHINGTON D.C., PHILADELPHIA and BOSTON. In the meantime, please use your turn signals.

If you’re a first-time caller but long-time listener, be sure to sign up for our blog. And feel free to pass it along to others in your chat group.     www.ResearchDirectorInc.com/Hot-Topics. 

-Steve Allan, Programming Research Consultant

About XTrends: XTrends is radio’s favorite Nielsen ratings analysis tool, used by all major groups. Learn why here.

About Research Director, Inc.: Research Director, Inc. is based in Annapolis, Maryland. We help radio stations’ programming and sales departments maximize the value of their research. For more information, visit www.ResearchDirectorInc.com, call 410-295-6619, or email info@ResearchDirectorInc.com or sallan@ResearchDirectorInc.com.

Working for the Weekend

March 20, 2026

Everybody loves the weekend. It’s when we get to run errands, hit the to-do list, schlep the kids around and, maybe, have some down time. And you know what’s even better? People spend a lot of time in their cars, where radio continues to excel.

Last week The RAB spotlighted a YouGov poll that, among other things, asked people which day of the week was their favorite. The Captain Obvious answers were Friday then Saturday and Sunday. (We needed a poll for that?)

Image by Adrien Olichon on Pexels.

But I digress.

We have known for years how important weekend listening is to radio. If you are a healthy music-based format you should see 50% of your weekly cume tune in at least once during the Sat-Sun 6A-12M day part. That is more cume than typically samples your morning show on a weekly basis. It can also be more than listen to you in mid-day. Yet, weekends are often treated as a lesser day part by both programming and sales.

For programming, this is an excellent opportunity for recycling. Since your TSL (AWTE) is affected by both occasions (how often they visit) and durations (how long they listen while visiting), one additional occasion can have a positive effect on your station’s share.

This is an excellent time to engage your audience. They are in motion and—at the very least—looking for a complementary soundtrack whilst they drive hither and yon. Are you providing them with quality entertainment value during that time frame? Are you giving them a reason to come back when they return to their regular schedule? I will remind you again—more people will tune in to your weekend fare than will tune in to your morning show.

(Side note: this generally does not apply to spoken word programming which sees the bulk of its tune-in Mon-Fri 6A-7P. The exceptions tend to be major weather/market events or sports play-by-play).

For Sales, weekends are often used as a packaging tool. Think about what your listeners are doing while they are tooling around. They are headed to a hardware store (Home Depot? Lowes? Or your local hometown store?). They are looking for a quick bite (McDonald’s or the local taco joint?). For those, and other categories, you are reaching listeners at the point of purchase. I once worked for an agency that only bought Thursday through Sunday schedules for their retail clients. Smart move.

To paraphrase an old beer campaign: weekends were made for radio. How much effort do you put into that day part?

If you want to read the poll you can find it here: https://yougov.com/en-us/articles/54257-americans-are-living-for-the-weekend-vast-majorities-like-saturday-and-sunday-while-mondays-are-divisive

If you’d like us to help you evaluate the daily listening habits of your audience, we stand ready to serve.

 

 

The Consultative Radio Seller: A Three-Part Playbook

March 17, 2026

This article is part one of a three-part series from CEO Marc Greenspan. In future issues, Marc will dig into how to conduct better discovery conversations and how to build measurable campaigns that make you indispensable to your advertisers.

Part 1: From Spot Seller to Marketing Resource: Rethinking the Role of the Radio AE

In many ways, the biggest change a radio account executive can make is not in their product knowledge, their closing skills, or even their prospecting. It is in how they see their role. Are you primarily a seller of spots and packages, or are you a marketing resource helping local businesses reach their goals? That mindset shift changes the questions you ask, the conversations you have, and ultimately the value you bring to your clients.

From inventory pusher to business problem solver

A traditional “radio ad salesperson” focuses on:

  • Filling avails and hitting weekly or monthly budgets.
  • Talking about rates, CPP, reach, and frequency before understanding the client’s situation.
  • Pitching packages, sponsorships, and promotions as the answer to almost every need.

A marketing resource, on the other hand, starts somewhere very different. They begin with the business, not the schedule. They want to understand:

  • What are this advertiser’s real business goals (more customers, higher ticket, better margins, new locations)?
  • Who is their ideal customer, and how does that customer decide whom to buy from?
  • What are the client’s biggest obstacles—awareness, perception, competition, staffing, pricing, or something else?

Once you think of yourself as a problem solver, radio becomes a tool in a larger toolkit rather than the centerpiece of your identity. You are there to help a business owner make smarter marketing decisions, with radio and digital working together, instead of just “selling more radio.”

Why this matters in a digital-first world

Many local advertisers now start their marketing journey with digital tools—search, social, display, and online video. That can make radio sellers feel like they’re “late to the party.” But this is where your mindset gives you a powerful advantage.

Most digital platforms are self-serve or lightly supported by remote reps. Few provide a real, in-market human being who will sit across the table, ask tough questions, and help the advertiser think strategically. As a radio AE, you can be that person. You can:

  • Interpret their digital metrics in plain language and connect them to business outcomes.
  • Point out gaps in their digital-only approach (limited reach, inconsistent frequency, weak branding)
  • Show how radio can make their digital campaigns work better by increasing awareness and trust before someone ever sees an online ad.

When you adopt the marketing resource mindset, you are no longer “competing with digital.” You are helping your clients make all of their marketing—radio and digital—more effective.

Radio’s local human advantage

Digital platforms are powerful but distant. Your station is local and personal. That difference is more than geography; it’s a value proposition.

As a marketing resource, you can emphasize that radio offers something digital rarely does:

  • A local, accessible team that understands the community and the market.
  • Experienced people who see campaigns across many categories and can share best practices.
  • On-the-ground knowledge about events, seasons, and local trends that can shape smarter marketing plans.

For the business owner, this means they don’t have to figure everything out alone or rely solely on dashboards. They have a partner who can look them in the eye, challenge their assumptions, and help them adapt. That is a very different role from “someone who calls when it’s time to renew.”

Positioning radio as a complement to digital

With the right mindset, you never tell a client to abandon digital; you show them how radio can strengthen what they are already doing. You begin to say things like:

  • “Your digital is great at capturing people who are already looking. Let’s use radio to create more people who are looking.”
  • “Your social ads are targeting a narrow audience. Radio can extend your message to more potential customers who don’t yet follow you online.”
  • “Your search campaigns are converting well. Radio can increase brand recognition so more of those searchers click on you instead of a competitor.”

When you think and talk this way, you’re not just selling commercial units. You are designing a role for radio inside the advertiser’s broader marketing system. That’s what a marketing resource does.

How to start the mindset shift

You don’t need a new title or a certification to make this change. You need new habits:

  • Prepare for every call with questions about the business, not just ideas about the schedule.
  • Spend part of each conversation exploring goals, customers, and challenges before you mention rates or spots.
  • Take notes on what keeps the owner up at night, then come back with ideas that connect radio and digital to those specific concerns.
  • Begin to see yourself as part consultant, part coach, and part media expert—someone who is invested in the client’s success, not just this month’s order.

In Part 2, we’ll dig into the consultative conversation itself: how to ask better questions, listen for real problems, and translate what you hear into marketing solutions that use radio and digital together.

MMMBop

March 12, 2026

As you are likely aware, Nielsen is bringing technology to the diary markets. Beginning with the Spring 2026 survey, they will be offering a digital version of the diary known as mSurvey.

The reasons for this have been widely discussed and Nielsen has been relatively transparent about the process. As The Ratings Experts, we are interested in seeing how this affects your ratings moving forward.

Image by Burst at Pexels

A few things to consider:

  • The mSurvey is an option for diary keepers. It is not a replacement. According to Nielsen, survey participants can choose whether to go with their smartphone or continue with the handwritten diary.
  • We hear that the digital diaries will initially be about 10% of the total sample. Depending on how well they work, this could be expanded in the future.
  • Regardless of the chosen option, this is still a recall based methodology. Hopefully, participants will record their listening occasions in a more timely manner. Rather than waiting for the end of the week, perhaps they will enter their listening choices closer to when they occur. We have not seen mSurvey in action, but perhaps Nielsen has included frequent prompts to aid this process.
  • The target audience for this new option is clearly the younger demos. The hope is this will increase participation (and listening) with those younger cells. Keep an eye on TSL with the 18-24, 25-34, and 35-44 cells. See what changes occur in both gender and ethnicity.
  • While you’re at it, keep an eye on proportionality. Look at age cells by gender and ethnicities. This is something you should routinely do, as you are paying Nielsen for sample, not ratings.
  • That said, keep an eye on overall TSL. While listeners can enter their start and end times for listening occasions, will they approximate what they would write in a paper diary? Will they digitally draw that line from 9 to 5, or will they record more precise listening times?
  • If diary keepers are more prompt with their entries, could this lead to an increased number of stations being consumed?
  • We strongly suggest you conduct an in-depth comparison of 2025 vs 2026 as this unfolds. Track any changes in the two components of AQH—Cume and Time Spent Listening. Do this at both the station and the market level.
  • Track your market’s PUR (Persons Using Radio) across all demos and day parts. If you see dramatic changes in your shares. this could be due to market conditions, not product issues.
  • We can help you track and make sense of how mSurvey is affecting your stations and markets.

We applaud Nielsen for this move into the digital realm. We will also monitor what changes this will bring to the ratings game. Watch this space.

PS: Sorry for the Hanson ear worm. Oh, fun fact. They are all now in their 40s.